FreakshowCabaret

Another Surprise Culture Night!

I've mentioned before that I sometimes go listen to poetry in a cellar. Well, completely by chance, I stumbled upon the host of those evenings in another cellar, in the midst of a performance.

I was blown away by her energy, confidence, and humor. It's funny, touching, offbeat, but always kind-hearted. Her latest music video is available here. And here's another one with a bit of French in it (Sophia Lucia is American but lives in France):

You should also spend more time in cellars. It's (literally) where the underground scene is at. And it all starts here --> Freakshowcabaret

Panic in Space: Episode 6!

Meanwhile, quietly, I'm making progress on the post-production of Panic in Space:

Panic in Space #06: The Taxi of Anxiety - Lalao Pham Van Xua in the role of the Union President

Post-production can be quite solitary, but now that the Film des Ponts is finished, I'm focusing on this. The first six episodes are heading to festivals, and we're searching for a distributor. Any ideas?

Final Point for My Novel (About Time)

I've reached the end of the novel I've been writing for... oh wow... fifteen years?

105 pages, a little over forty thousand words. There’s one chapter to revise in the middle, a few corrections to make here and there, but all in all, it should be finished soon.

This is the first novel I've ever finished. Before this, I started plenty that never survived the test of dispassionate rereading after a few months. But this one did. No matter how much time passed—months, often years—I was always surprised to find it still good. And to feel like continuing. And to be capable of doing so.

There are advantages and disadvantages to taking so much time to tell a story.

On the advantage side, there’s a "Boyhood" vibe (the Richard Linklater film shot over 12 years): the person who starts the book isn’t the same one who finishes it. You can feel a genuine transformation in perspective as the story progresses. And it’s no pretense: it’s my own.

On the downside, there’s the evolution of style: I write better now than I did fifteen years ago. However, I didn’t want to revise the beginning too much in order to preserve the original flow and energy. I lightened it a bit, made it more breathable, but I respected the progression and the turns of phrase as if they were written by someone else.

Next step? Get people to read it. Find a publisher. Write the next one a little faster.

Cover, epigraph, and first page (click to read - French only, sorry!):

UPDATE: It’s done! Revised, read, finalized! I’ve printed four copies that I’m starting to send to publishers. Each time, I include a small check for a few euros so they can return the manuscript and I can try elsewhere. If you know any others who would be happy to reject my novel, send me their contacts.

Premiere of "To Build" at the Opéra Bastille

A premiere is always nerve-wracking for a director—especially at the Opéra Bastille—but this event organized by École des Ponts went extremely well. The theater was packed, with the film's interviewees, contributors and a large part of the crew in attendance... truly moving.

A few words of introduction following Anthony Briant's (left), Director of École des Ponts.

I loved producing and directing this film. I met and collaborated with extraordinary people.

I'll soon be releasing a trailer online. The film will be exclusively screened in theaters (festivals, events) for a year, while we potentially search for a distributor. Afterwards, the distribution will widen. Screening dates will be announced here or on the École des Ponts LinkedIn page.

Alexandre and the B-Movies (Last Day!)

By day, Alexandre is an editor and director whom I met when he came to work for ChezFilms.

By night, he is the creator of the YouTube channel Fry3000 (with nearly 5000 subscribers!), where he "dives into all sorts of cinematic oddities."

Every time he drops by the office, he returns from an interview with a former actor or producer of B-movies, or he goes fishing for information about some fanzine dedicated to a film I've never heard of but which he explains the importance of in the history of genre cinema.

And right now, Alexandre is deep in writing a booklet about Norbert Moutier – one of the greatest B-movie producer/directors – which will accompany a book of posters published by Serious Publishing. What, you don't know Norbert Moutier? No worries, Alexandre is also working on a documentary about him.

In the meantime, go support the book, it's the last day!

Soon: Premiere of my Documentary at the Opéra Bastille

The feature-length documentary "To Build" that I produced and directed for École des Ponts et Chaussées will be screened at the Opéra Bastille on Monday, April 22nd at 7 p.m.

Meet the engineers behind the structures that have transformed France. How to build in the era of ecological transition?

Contact me if you'd like to attend, there are still a few spots available!

UPDATE: Oh, it seems it's fully booked =)

As Long as our Hearts Blaze

Culture night was less of a surprise this time since I had made reservations.

When I go see my friends' plays - especially in small venues where you can't hide - I always prepare a line to say after the performance in case I found it awful. ("You made me dream" Françoise Sagan would have said to Jeanne Moreau after a play where she fell asleep.)

I'm happy to say I didn't need it this time.

(I'm in a period where my friends are doing amazing things. This and this, for example.)

The play is simple, intimate, yet uncompromising. It progresses. The staging is delicate, made of small objects and gestures that you find here and there, telling a story. It was also an opportunity for me to see the journey and talents of someone I know making perfect sense within a personal and powerful play. Very moving. But rest assured: no need to know beforehand to appreciate it.

Oh, and also: you'll learn things (about Chile, about Louise Michel...) and you'll come out less ignorant. Which is not the case for most shows nor, let's be honest, for the majority of my films.

Tant que nos Coeurs Flamboient with Lorena Felei, written and directed by Laurent Contamin. At the Théâtre Essaïon until April 30th.

Analog Micro-Fiction

Awakened my typewriter for a new adventure. Had to follow through on my threats and add the exclamation point by hand. Totally worth it.

Saved by the Storm - A short novel in 7 words and 2 emojis. Heart attack. Dies. Hit by lightening. Wakes up! Phew.

I'm definitely not the first to use emojis on a typewriter, but we can't be many either.