This week at the Off Courts Festival, I had the pleasure of filming a music video for the guest band

My feature film script set in England, The Stagemaster, has just made it to the quarterfinals of the

My first attempt at a "Mid-Century" illustration. I recently discovered the name of this graphic style, and now it's all I do:

The method we’re taught in school is bogus.

A.I. didn’t invent anything new!

What a pleasure it was to attend the premiere of the documentary Les Sirènes de Dieppe a

I’m belatedly exploring the works of Giorgio Moroder, aka Giorgio, who seems to have

I registered after the deadline, so I couldn't schedule my meetings as well as I would have liked.

If you had asked me the day before yesterday, I would have told you I'm not really into concerts.

The music is too loud. There's too much commotion. It's too long.

If Sting repeats it three times in his song, it must be important.

My English feature film screenplay, "The Stagemaster", has just advanced to the semi-finals of the

Another Surprise Culture Night!

Meanwhile, quietly, I'm making progress on the post-production of Panic in Space:

I've finally reached the end of the novel I've been writing for... oh boy... fifteen years?

A premiere is always nerve-wracking for a director—especially at the Opéra Bastille—but this event organized by École des Ponts went extremely well.

By day, Alexandre is an editor and director whom I met when he came to work for ChezFilms.

The feature-length documentary "To Build" that I produced and directed for École des Ponts et Chaussées will be screened at the Opéra Bastille on Monday, April 22nd at 7 p.m.

Culture night was less of a surprise this time since I had made reservations.

Awakened my typewriter for a new adventure. Had to follow through on my threats and add the exclamation point by hand. Totally worth it.

There's something for scientists as well as beatniks. The common theme: reality isn't what you think. Let's dive in.