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I stopped watching the first episode of Wednesday half way through. (I tried to go to the end, I promise, I even stopped then resumed it). But I want to take this opportunity to tell you what I really liked about Barry Sonnenfeld's The Addams Family.

First of all, sure: it's a difficult type of story to navigate. It's tricky for a screenwriter. When following a family where everything is upside down, where good is bad, where up is down, and where all the values ​​are reversed, it may be difficult for the viewer to identify with the characters. If they love sadness and failure so much, what is their motivation to overcome the obstacles put by the film on their path?

I thought Sonnenfeld's version had struck a good balance. But also: he managed to completely turn the tide.

Without losing the spirit of the original series, the film had brilliantly portrayed what many psychologists, sociologists and even Zen masters would describe as the perfect family.

Yes, I promise. If you don't believe me, I encourage you to review the film from this angle. I could not list all their virtues but here are a few of them from the top of my head:

It is a united family where several generations live under the same roof; the parents are in love and constantly profess their attachment in public; they are cultured, live among books and speak several languages; they follow their passion without judging others and without worrying about what people think of them; they openly discuss death and cultivate a true relationship with their ancestors to derive part of their identity; they love to laugh, party and they dance extremely well; the education of their children is built around play, dialogue and trust; despite their wealth, their culture is never based on money or possession; and despite everything that sets them appart, they are never afraid of strangers and are extremely inclusive, including with those who are not like them and judge them harshly.

And when their world crumbles around them, they stick together with dignity.

That was the strength and the irony of the film: the real model was the Addams family. Not the Perfect Family judging the rest of the world on their way to church. (But some of them find some redemption thanks to the Addams.)

I didn't expect the same in the Netflix version, of course. But I feel they missed the mark. They took what was secondary in the film to make it the heart of the series. And I don't feel that it works.

Of course, everyone will tell me that the best part is in the end of the first episode which I did not see. Or in the following episodes that I will not watch. But don't worry: I saw Wednesday's dance on the internet. So I didn't miss it all.

Our habits are a boon and a curse.

A boon because we don't have to reinvent the wheel every time. We can rely on the routine we've built for ourselves: the same actions, performed in the same order, produce the same results. We can't put everything into question every morning, can we?

A curse because they imprison us. Once they're in place – for years, sometimes decades – they are extremely difficult to transform. We do what we do because we don't know how to do otherwise.

A habit does not require mental energy. By performing the same actions everyday ans following the same automatisms, we put part of our life on autopilot in order to be available for the rest. But when we want to change – stop smoking, start exercising, stop biting our nails – the effort required to implement this change consumes energy that suddenly becomes unavailable elsewhere. Everything else becomes that much more difficult.

We are the sum of our habits.

Many traits that we think are part of our identity are actually habits that we could change. What psychologists call "the declarative" ("I am like this, I like that, I hate this and that, I always do such and such thing, etc") is often an excuse to justify a way of doing things that we don't have the energy to change.

And a small dose of fatality can be reassuring sometimes. It's easier to say "I am like that" than to try to do something about it.

This link between identity and habit is very well described by James Clear in Atomic Habits. Our culture level today depends our reading habits over the past decade. Our health today is the result of our eating and sports habits over the past ten years. Our finances, the consequence our work habits and savings of the last ten years.

And the person we will become in ten years is the result of the habits we put in place today.

But what I find fascinating (and what has become a source of steady progress in my life) is acknowledging how little we know about the genesis of our habits.

Most of the time, we don't know where our habits come from or how they were born. The older they are, the less we know. And since they control such a large part of our life, it means that, most of the time, we have no clue why we do things. Worse: when we're asked the question, we start making up stories, fabricating excuses : "Well you know, I am like that", mixing murky stories about our past with new beliefs and opinions about society... Everything rather than admitting that we don't know.

Think about it: why do you eat three times a day? Where does your relationship with work, success and failure come from? How did your addictions start? Your passions ? Why do you listen to this music, watch these shows, trust this group over this one?

Where does it all come from? From your parents? From school ? From television? From Work ?

And above all: if you don't know how or why these habits have taken hold, how do you know if they are really good for you?

Excerpts from films I've written and directed:

Until I post all of my films on this site, you can check them out on this vimeo page.

A few years ago, I started using electronic music to add sound to my films. I am the proud owner of a Prophet Rev 2 synthesizer, a Digitakt, and an Eventide Space pedal. I don't have time to play as much as I'd like but when I can, it's always fun times.

I'll share some music soon but meanwhile, here are 3 musicians I follow on Youtube and who helped navigate electronic music production.

First, Cuckoo.

He lives in Oslo, plays the piano and is known for his technical mastery. If you buy a new synth or a new effect pedal, chances are Cuckoo has made a 2 hour long tutorial on the subject where he explains everything from A to Z.

He is also a great musician who improvises a lot. His particularity: in addition to a gentle eccentricity, he shows his face with a mirror placed next to his instruments. Like in this video where he jams with a pocket operator:

Next, Ricky Tinez.

What struck me about Ricky at first was that he's...cool. In a good way: relaxed, calm, "chill". He lives in Los Angeles and travels for his DJ sets (House, Techno). In his videos, he creates music from scratch with sometimes unexpected gear.

I love how he shares his creative process without filter: hesitations, backtracking, but also some bold choices that he doesn't look back on:

Finally, Andrew Huang.

He might be the most famous of the bunch – although his desire to grow his brand can sometimes be felt in the choice of subjects and formats. You can tell that the view count matters. But he's a passionate multi-instrumentalist who can explain both musical concepts and technology. He provides great value for those who want to get better at making music.

He often invites other music producers for contests. It's always interesting to see how different creators tackle the same subject:

PS : I almost forgot Yuri Wong who makes music on OP1 from film dialogues! Check it out:

Let’s say that when I’m too busy, I’ll just post some old stuff. Like this drawing I made during lockdown. Not super cheerful but it went with the times:

And the 30 second timelapse (thanks to Procreate):

For 3 reasons :

1. I love the cat’s face,
2. The caption makes me laugh,
3. The link between the image and the caption is perfect.

I think this is the existential definition of a meme.

When in Marrakech, I found myself at an exhibition called A Moroccan Winter, showing paintings by Majorelle and his contemporaries. I was blown away.

It's always a bit cliché to speak about light and darkness in painting but, in this case, it's what really gave me pause. I don't expect it to have the same impact on screen but take a look at this:

What I find striking, when in front of the actual canvas, is the luminosity of the mountains in the background. It's what draws the eye and gives the painting this photographic look: despite the precision and the contrast of the group in the foreground, all these people are n the shadow while the mountain is beaming in the distance. The ancestor of HDRI.

Same here: I find it quite bold to paint the main subjects completely in the shadow, as Étienne Girardet did. Shadow that we only really see because of the sun spot in the lower left corner:

(But it's called "Sous le Burnous", "under the coat", so I guess it makes sense.)

He voluntarily reduced his color palette to represent the absence of light and, in an almost negligible portion of the canvas, revealed the fire of the sun.

Then, of course, there is Majorelle: shadow is no longer the absence of light but is embeded in the subject itself. All the way. This one really struck a chord with me:

Choukrane guys, choukrane.

PS: And this guy was looking at me. He looked away just when I took the picture.

Not so much resolutions as general principles that I've discovered and explored in the past years:

1. Gain clarity
   Without clarity, each decision, big or small, is commanded by our irrational fears, or subconsicous anxieties and ends up leading us in the wrong direction. Clarity should be the first thing we seek. Before a career. Before love. Before brushing out teeth. But here's the catch (22): to realize the importance of clarity, you already need to have some. That's the paradox. Unless...
    
2. Really want it
   It seems simple, almost childish, but it works. Call it what you will: faith, grace, resilience. If you really want to grow, gain wisdom, become a better person, you'll find a way. It might not be visible just yet or – even worse – it might not be the path you had in mind. But you have to want it. Like: really really want it. Then no paradox, no excuse and nobody will be able to stand in your way. That's real faith.
    
3. "Where?" before "How?"
   "How?" is the question everbody is obsessed with. "How can I do this? How can I get there?". To the point where we don't end up where we want, but where we can. We let the "hows?" learnt at school, at work or on TV be our only compas, instead of asking the only question that matters: "Where?". "Where do I really want to go? And Why?". The wrong direction, even when reached really fast or really efficiently, is still the wrong direction.
    
4. Growth before value
   Where you are now doesn't matter. Whether you're at the bottom of a pit, on top of a mountain, or mid-slope somewhere: it's temporary. What matters is your growth rate (the "derivative", engineers would say): are you going up or going down? Are you growing or shrinking? By changing your inner slope only by a few degrees, you change both who you are and where you're headed. It might not be visible right away but it's the only way to make a difference on the long run.
    
5. The solution is always inside
   The problems we have are a function of who we are. If  some genie made all of our problems disappear tonight by a snap of a finger, we'd be happy for a day and then, in less than a week, we'd recreate the same problems over again – or very similar ones. So don't blame your outide circumstances: they have nothing to do with it. Look for the cause within. That's the real source. The inner slope wich pulls you up or pushes you down.
    
6. Problems before solutions
   In the corporate world, we're told one should never come to their boss with a problem without offering a solution. In life, this is foolish. Spotting a problem is the first step towards solving it. It's called clarity. Once the obstacle is exposed in all its glory, mecanisms will set themselves in motion to find a solution. It's denial that makes calamity of a so long life.
    
7. Get to know yourself
   Since you don't get one at birth, you should invest in writing your own instruction manual. Observe yourself. Embrace introspection. How does anger spark in you? Or jalousy? Or fear? What deep cause motivates your actions? Which irrational fear controls your pulsions? Identifying intern mecanisms allows to free yourself from them and eventually become more deliberate in just about everything.
    
8. Beware of thoughts
   Nothing really important is ever intellectual. Thinking might be fun, social, or productive, but the pillars of one's life should never rest on some logical reasoning. Our brain makes up new problems when it can't find any. By nature, thoughts are never at peace. So you should let this machine do its thing without paying too much attention while you look for balance elsewhere. In this regard, thoughts are a bit like TV: they only become harmful when you think they tell the truth.
    
9. Beware of numbers
   Numbers are the same: they're never where they're supposed to be. Choloesterol is too high, salary too low, temperatures too cold, interest rates too expensive. By essence, numbers are made to quantify what is missing and what is too much, and thus represent a neverending source of insatisfaction and unbalance. Better to focus on what cannot be measured: the joy of seing someone we like, the pleasure of an activity we love, the beauty of the sky.
    
10. Live in the present
    It's an overused cliché but it's also the key to the safe. Only the present exists. Past is another word for memory – often selective and filled with regret. The future is another word for imagination – often skewed by the anxiety of the day. Not living in the present means living in your head. To be prisonner of your thoughts, opinions, memories. Why not, after all? But every now and then, it's always nice to take a walk in the "here and now". To keep in touch with the world, with others, and with yourslef.

Happy 2023.

Found these on my phone. They were taken a few days ago on another continent.